ABOUT
Welcome to my lovely website - isn't it sexy!
This is the section where the marketing experts say I'm supposed to "sell myself" - as if turning my vocal cords into a sales pitch wasn't already weird enough.
Let's be honest, I could spend paragraphs telling you how my voice is the auditory equivalent of butter melting on hot toast, but honestly, I'm much much more interested to hear what qualities you think my voice lends itself to!
You'll find a potted history of my journey in to voiceover and some of the projects I've been involved with to the right.
In the meantime, your Mission (should you choose to accept it):
1. Listen to the clips
2. Tell me what you think my voice sounds like
3. Win a 10% discount for creativity points
Seriously. The most hilariously accurate or brilliantly bizarre description gets a sweet discount. Think of it as vocal improv meets professional networking.
Born in Glasgow, Hamish trained at the Academy of Live & Recorded Arts in South London, The National Youth Theatre of Great Britain and at the American Conservatory Theatre in San Francisco.
​
He is represented by Infinity Artists in Edinburgh for theatre, film, TV and voice work.
​​
Hamish regularly voices commercial projects for STV (Scottish Television), having featured recently in campaigns with Bugbakes Dog Food, Sepsis Awareness Scotland, Highland Broadband and most recently, STV's Blackpool Pleasure Beach sponsorship. His favourite genre to work in is undoubtedly children's animation, having voiced two projects in the last 12 months for Blue Zoo's Wonderblocks, and Plumb Films Roots & Fruits, both for Cbeebies.
​
He also does regular ADR (Automated Dialogue Replacement) at Sevalas and Blazing Griffin post-production houses in Glasgow and has worked on Guilt Series 3 (BBC Scotland), Payback (STV), Crime (STV), Shetland Series 8 (BBC) Vigil Series 2 (BBC) and Fear (Amazon Prime).
​
Hamish has a full home studio set up with an LA1005 condenser mic by Lambden Audio, a Scarlett i2i interface and works in a fully acoustic-treated room. He can easily turn around radio broadcast quality voiceovers within 24 hours, as well as having great relationships with several of Scotland's most well-known audio production houses.